Feb 16

The Online Music Marketing Blog Review of Ariel Hyatt’s Music Success in Nine Weeks
by Carla Lynne Hall

To be an indie musician requires an entrepreneurial mindset, and the latest edition of Ariel Hyatt’s Music Success in Nine Weeks promises to “supercharge your PR, build your fanbase and earn more money”. As that may sound like a fabulous claim, many indie musicians may wonder if the book can live up to its promise.

In my own career as an indie musician, I have learned to be mindful of my business goals. To stay on the top of my game, I read A LOT of books on the music business. While some music biz books are filled with contract mumbo jumbo that require translation, others are total fluff, offering pie-in-the-sky promises that don’t show the reader how to get results. Thankfully, Hyatt’s Music Success in Nine Weeks teaches actual online music marketing strategies that can be put into use immediately.

As the founder of Ariel Publicity & Cyber PR, Ms. Hyatt could easily have written a thinly-veiled promotion piece for her music publicity services. Instead, her book is an easy-to follow nine-week program that teaches musicians how to promote themselves, without any self-promotion hype.

Week 1: Getting Mentally Prepared

Before jumping into the program, the first chapter of Music Success in Nine Weeks program is all about setting goals, and getting into the right mindset. Ariel acknowledges that the music business is not for the lazy or weak-hearted, and that creating realistic goals will create the correct mindset for success.

Week 2: Your Perfect Pitch

Week 2 teaches how to create an elevator pitch: a description of your music that you can easily repeat in the time it takes to travel one floor of an elevator to another. The best music pitch is easily memorable, and can be used again and again.

Week 3: Optimizing Your Website

In order to attract new fans, a bands’ website must do more than simply play music clips and advertise the next gig. The best music websites compel fans to join your fanbase. Week 3 offers practical suggestions for how your website can become a marketing machine.

 Week 4: Social Media For Musicians

As Ariel herself coined the phrase “Cyber PR”, her expertise of using social networking sites to connect with music fans is obvious. The power that sites like MySpace, Facebook, and Twitter hold to build a global audience has grown exponentially. Week 4 of Music Success in Nine Weeks defines “Web 2.0″, and shows you which social media sites a musician needs to create an online presence.

Week 5: Blogging

When the internet first gained popularity, having a static website containing your music, photo, and bio was enough. These days, having a blog on your website enables you to show your personality, connect with other bloggers, and also be found by search engines. Week 5 explains the importance of having a website that updates frequently so that your fans can return to your site, and connect with you.

Week 6: Connecting with Fans Via Your Newsletter List and Conducting Surveys

In my opinion, most band newsletters are selfish, self-promotion emails that aren’t worth opening. Because of this, Week 6 stresses that a band newsletter should be used for more than blasting out the dates for your next gig. Instead, your newsletter can be used to nurture your relationship with your fans. Once your have their trust, you can also reach out to them to ask them what they want from you. It’s a lot better than guessing.

Week 7: How t oBuild Your Mailing List

Once you have an email list, it’s also important to add more names each month. Week 7 shows you tips and tricks to grow a healthy fan email list.

Week 8: Real Live Networking Tips

In addition to having an online presence, it is still important for musicians to meet people offline, and make connections with them. Week 8 teaches you how to make an authentic connection in person.

Week 9: Creating a Continuum Program

As enlightening as the rest of this book is, in my opinion, Week 9 of Music Success in Nine Weeks is the high point of the book. Once you build your fanbase, and have permission to contact them regularly, it’s time to get your fans to purchase merch from you on a regular basis. Whether it’s CDs, t-shirts, or any other kind of band swag, creating a product line will make the difference in your band’s bottom line.

Another bonus of purchasing Ariel Hyatt’s Music Success in Nine Weeks is that you get free lifetime membership to Ariel’s closed online Mastermind Forum. In the forum you meet other musicians like yourself who are working the program, and you have the added support of Ariel and her staff.

There is no lack of book titles in the indie music business help section, as well as the musicians who buy them. However, in the case of Ariel Hyatt’s Music Success in Nine Weeks, this book’s true power is teaching you that you can increase the level of your success.

But it’s up to you to follow through.

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I’m Carla Lynne Hall, a NYC-based musician and online music marketing consultant. I’m a friend and affiliate of Ariel’s and this book, which I’ve purchased and used myself with great results. For more information, please visit the Music Success in Nine Weeks website.

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Sep 10

This online music marketing blog here at online-musicmarketing.com has been debugged for unwanted links, and I’m up to speed on the tutorial videos. So let’s begin! tdclogo.gif

Here are the current statistics for online-musicmarketing.com:

  • Google Page Rank: #40 out of 35,000 competing pages for exact match

If the average Googler sees 10 results to a page, then online-musicmarketing.com appears as the very last result on page 4. At the very least, I don’t want online-musicmarketing.com to slip to Google’s page 5.

  • Number of yesterday’s visitors: 14

This tracking data is provided by Google Analytics

  • Affiliate Sales: $0

(Self-explanatory ;-) ) Completed tasks from my Thirty Day Challenge needs analysis:

  • Decided on numbered entry format for case study logs. This will allow case study entries to be sorted separately for anyone wanting to follow along. This also allows a distinction from the general music publicity blog posts.
  • The WordPress Direct (WPD) theme that I originally wanted to use simply does not accommodate sale offer widgets at this time. I’ve already filed a repair ticket with WPD, but I’ve decided to stick with the current “Mint Chocolate” theme.
  • My affiliate link for Ariel Hyatt’s online-musicmarketing.com eBook isn’t ready yet, so I’ll continue using the Amazon affiliate link for the print version of Nine Weeks to Music Success.
  • The affiliate program for Market Samurai, the fabulous internet marketing tool used during the 30DC, is not ready yet, but as soon as it is, I’ll add it.

So I have my work cut out to raise the page ranking of musicpublicityblog.com. The good news is that the blog in its current form made it to a page ranking of #40 out of 35,000 sites, which is a nice start for a page that only went live on August 12, 2008 (I deleted my “Hello World” post – Sorry!). If you’re reading this online music marketing blog in real time, keep checking in because the fun starts now!

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Sep 10

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Before continuing the online music marketing blog case study, I’ve created a Needs Analysis to determine my next steps. After reviewing my Thirty Day Challenge notes, I identified what was needed to get the online music marketing blog primed for a second round of testing.

Objective: Get online music marketing blog and myself up to speed for testing

Current Status: The music publicity blog is currently on Page 4 of Google for exact phrase matches for “online music marketing”

Goal: Rank #5 on Page 1 of Google for exact phrase match.

Current Issues:

  • I haven’t decided on a format for this case study
  • I found a great WordPress Direct theme for the online music marketing blog, but the theme does not accomodate sale offer (affiliate product) widgets
  • The WordPress Direct theme I am using has an unwanted widget with a dummy email address
  • Many of the WordPress pre-designed themes contain unoptimized links in their footers which interferes with the search engine optimization (SEO) strategy
  • I need to review video tutorials for WordPress Direct and Market Samurai
  • Need to exchange affiliate link from Amazon.com print book to 1ShoppingCart eBook

TASK LIST WordPress Direct

  • Remove unwanted footer links from online music marketing niche blog
  • Remove sidebar widget with dummy contact email address

Video Tutorial Review

  • Review Thirty Day Challenge videos for supervised auto-posted content
  • Review Thirty Day Challenge video on setting up sales banners
  • Review Market Samurai tutorial videos

Affiliate Products

  • Gather affiliate links for Market Samurai, WordPress Direct, Hostgator, and 1ShoppingCart
  • Save as document for future use.

While I haven’t decided on a format for my process yet, blogging about my case study testing has already helped organize my ideas, and clarify the most important actions. For example, blogging about each individual day of the 30 Day Challenge could be interesting, but as a result, the online music marketing blog would become more optimized for the 30 Day Challenge. As that is not my goal at all, I will focus my blog posts on online music marketing in order to satisfy the organic traffic visiting from search engines.

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Sep 9

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When we think about online music marketing, we often think of music websites like MySpace.com and Reverbnation.com as the best places for online music marketing.

While music sites are great for attracting music lovers, it’s also worth getting publicity on websites that have nothing to do with music at all. I call this The “Hit ‘Em Where They Ain’t” Strategy. Singer/songwriter Matthew Ebel has gotten his mp3s on tons of music podcasts, but he’s also placed his music in a financial aid podcast. As his music is the only music heard on this podcast, Matthew’s songs stand apart from the rest of the spoken podcast.

In another example, Phill Mason is a musician and internet marketer who won last year’s Thirty Day Challenge. His recent claim to online music publicity fame is that he’s written the theme song for this and last year’s “Thirty Day Challenge, which is used for much of the videos. Since the Thirty Day Challenge had thousands of participants, Phill’s theme song became an online hit for Thirty Day Challengers. The participants were already excited to do the Thirty Day Challenge and make their first $1 online, and having Phill’s theme song rallied the troops! Long story short, Thirty Day Challengers tweeted and hollered until Phill offered the Thirty Day Challenge theme for download. In true internet marketing fashion, Phill created the Thirty Day Challenge Ringtones to meet the demand.

So when you plan your online music marketing campaign, consider the other parts of your life that can be used to get more publicity for you and your music.

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Sep 9

Online Music Marketing = Spreading the word about you, your band, your music.

In this case study I seek to build an online music marketing   strategy by optimizing this blog, musicpublicityblog.com for organic web traffic. After taking last month’s Thirty Day Challenge, my mind is still racing from new ideas after I understood the basic concepts.

My theory/hypothesis: By focusing the content of my online music marketing blog on multiple keywords, I will attract more focused and relevent visitors.

If this theory is true, then musicians can potentially attract hundreds of new fans each week by choosing to focus their content to agreed upon keywords.

My goals for this online music marketing case study for online-musicmarketing.com are:

  • Rank on first page of Google for multiple niche keywords simultaneously
  • Make my first $1 online (what the Thirty Day Challenge was all about)

As a musician seeking to develop my own music publicity strategy, my goal is for my music blog to get top ranking for multiple keywords.

So regardless of however else you are marketing your music online or offline, your music can also attract hundreds of new potential fans each week in the form of unique, organic and relevant visitors daily. In the marketing world, this is known as a “pull strategy”. Each time you fill your music blog with juicy keyword content, you are planting seeds for search engine spiders to find you continually – even years after you posted your content.

As the focus of this case study is this online music marketing blog, I will focus for now on these three niche keyword phrases:

“online music marketing”
“twitter for musicians”
“facebook for musicians”

How do we do that? Stay tuned to the online music marketing blog!

 

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Sep 8

Your online music marketing strategy can can get a serious supercharge by using internet marketing techniques used in the Thirty Day Challenge, so here’s today’s new idea!

thirty day challenge logo

Last month I participated in the Thirty Day Challenge which was organized by Ed Dale, an Australian internet marketer, and his merry global online marketing team. For each day of August 2008, there was a new internet marketing lesson offered in the form of videos, live tv chats, podcasts, and pdf transcripts.

What does the 30 Day Challenge have to do with online music marketing, you ask? For one thing, internet marketing techniques can be used to sell just about anything online. For another, most musicians do not know about these methods. For yet one more thing, Ed Dale is a guitar player and music lover, and has offered suggestions for how musicians and artisans can sell their wares. So why not use these techniques for music publicity?

During last month’s Thirty Day Challenge, I had the good fortune of meeting Ed Dale in person when he came to NYC for a meetup. In addition, we even got to chat about how musicians can use these 30 Day Challenge techniques for web traffic, and he shared even more great ideas, which I found brilliant.

Ed Dale and Carla Lynne Hall

Ed Dale and Carla Lynne Hall

However, Ed was quick to add that his theories were speculation until someone tested them (as he started elbowing my arm ;-) But before he even laid the hint, I was already volunteering to test our collective theories for building music publicity via keyword traffic strategies.

To their credit, Ed Dale, Dan Raines, GuruBob & Co. taught manual processes of all the tasks necessary. They later taught the processes using the Market Samurai web tool. By the time the Thirty Day Challenge was over, my learning curve had been shortened, but I wanted to focus on absorbing all of the material offered. I had originally thought that my original niche blog, The Online Music Marketing Blog, wasn’t a strong enough niche, and I had intended to find another niche.

So I took a few days off before reviewing my notes in order of Day 1 through Day 31. After rereading my notes, I realized a few things:

One: Because my online music marketing site hadn’t yet reached the benchmark of 200 unique visitors a day, I had not tested long enough to know whether or not my site was successful or not. According to Ed, 200 visitors a day is a low number, and you’d want your product to make no less than one sale per 200 visitors.

Two: 200 unique visitors a day may be a poor number to Ed Dale, but the idea of 200 sets of eyeballs a day checking out my music publicity site gives me a THRILL! If your band’s website receives only 200 unique visitors a day from keyword optimization alone, think about the momentum that would build. What would happen if hundreds of people clicked on your music samples each week? If your band newsletter sign-up is displayed prominently, imagine how much faster you could build your email list.

Three: My other blog doesn’t even get 200 unique visitors daily, but after seeing what works, I can use these strategies to get much more than that.

So this online music marketing niche blog is where this Thirty Day Challenge case study testing will be done. Check in for the results.

 

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Aug 19

Papparazzi

 

Online music marketing is crucial for you, your band, and your music. Getting your songs reviewed by music editors and bloggers will help you build exposure. But before you start your music publicity campaign, make sure that you have the necessary tools. A press kit, also known as a promo package, can open doors to gigs, reviews, and other opportunities.

1. Photo - Whether you’re a country crooner or a downtown diva, your photo is an opportunity to show your personality as an artist. When you’re trying to get press in your hometown newspaper or Billboard magazine, it’s important to have a clear, professional quality photo. A black and white, 8 x 10 photograph will do the job, just make sure that your music and your image are consistent.

Photographer Jonathan Mannion, whose portfolio includes Ja Rule, Jay-Z, Eminem, and others, believes that it’s not difficult to find a photographer that fits in your budget. He says, “Be resourceful. Sometimes the assistants of the heavy hitters are incredible photographers in their own right. You can also find people at art schools that have a good eye.”

2. Bio – Your bio is next, and should read like an article. Many editors are swamped for time, and may quote your bio word for word. No longer than one page, it should say who you are, while avoiding a lot of hype. Describe your music in a unique way early in the bio, so editors don’t have to search for it.

If you decide to write it yourself, have someone else check it for misspelling and over-hyped clichés. According to Ariel Hyatt at Ariel Publicity, “You may be a great musician, but you may not be great at capturing how you sound on paper. If you hate writing, or you’re not down with it, get someone else to do it.”

3. CD – Entire books have been written on how to create a CD, and there are tons of musicians who have done this already. The best I can add to them is to make sure that the quality of your music, and your visual images are the best that they can be. Competition is fierce, and compelling images will give you an edge. Also, if you’d like to highlight certain songs for the listener, add stickers to the CD’s cover.

Create your own press kits by using color folders with your materials in the pockets. To create inexpensive stationery, have a creative friend design a letterhead for you and take it to a copy center like FedEx/Kinko’s. For a special touch, use paper from Paperaccess.com.

When you start getting reviews, you can include about five of your best online music marketing press clippings in your press kit. Consistently continue to get new reviews. Ariel continues, “Press clippings should be no more than four pages of white double sided press clips, and leave it at that.”

Follow these press tips and you’ll be on your way to a successful online music marketing campaign!

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